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| Bronzewood
60 |
Landmark
60 |
Landmark
300 |
The
Bronzewood 60 offers high-end, professional quality
sound without a big price tag or heavy mass. Our
proprietary, 100% analog, SansAmp™ Tube/Microphone
Emulation circuitry removes the harsh harmonics associated
with piezo pickups and delivers a natural warmth
and presence for which Tech 21 is known.
The
distinctive Bronzewood 60 is covered in brown crocodile
embossed vinyl complemented by a custom black grill
and decorative brown piping. The Bronzewood 60
delivers exceptional sound quality in an affordable,
cost-effective 38lb. package. |
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The
Landmark 60 incorporates the design features of our
best-selling SansAmp Bass Driver DI pedal in a self-contained
wedge combo amp format. This portable, practical-sized
amp provides professional quality sound for small
venues, rehearsals and solo practicing.
Our
proprietary, 100% analog SansAmp Tube Amplifier
Emulation technology delivers all the natural warmth
and presence of the most recognized vintage and
modern bass amp tones. |
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| A
two-channel bass amp head, the Landmark 300 is a 2-rackspace,
300-watt version of its predecessor, the Landmark 600.
It, too, incorporates our proprietary, 100% analog
SansAmpTM Tube Amplifier Emulation technology. The
Landmark 300 offers a truckload of vintage and modern
tube amp sounds, as well as a variety of overdriven
tones. The interactive controls give you access to
specific tone shaping characteristics to create your
own custom sounds as well. Samples settings, such as
Bassman®, SVT®, Crimson, and King's X, are
included in the owner's manual to get you started. |
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| Landmark
600 |
Power
Engine 60 Series |
Bass
Power Wedge 60 |
Channel
1 features our unique Blend control. It allows you
to blend any amount of your direct instrument signal
with our proprietary, 100% analog SansAmp Tube Amplifier
Emulation circuitry.
Channel
2 offers parametric EQ to boost or notch out specific
frequencies. Its sweep ranges from 170 Hz to 3.5
kHz ±16dB. |
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The
Power Engine 60 and Power Engine 60T are 1x12 open-back,
extension cabinets. Each packs 60 watts of transparent
power and has a special design speaker, individual
level control, 3-band active tone controls, and balanced
XLR input, 1/4" input and balanced XLR output. |
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These
rugged wedges are designed to be used with any direct
recording device or pre-amp, analog or digital, tube
or solid state, in stomp box or rackmount formats,
from any manufacturer! Now you can take all of those
great direct recording sounds you've spent so much
time creating out to a gig without having to tweak
all of your presets. |
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| Trademark
10 |
Trademark
60 |
Trademark
120 |
| SansAmp
Bass Driver DI gives you the warmth, presence and punch
of a miked-up bass tube amp system in a conveniently
portable direct box/pedal format. SansAmp Bass Driver
DI can be used as a pre-amp or stomp box with your
existing stage rig. You can drive a power amp and speaker
cabinets. Or go direct into the mixer of a recorder
or P.A. |
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| SansAmp
RBI features a dedicated Mid control; individual Level
control for the XLR out to optimize your amp's output
relative to the P.A. system; Effects Loop; Mix 50/50
switch to configure the Effects Loop in series or parallel;
1/4"
rear input and XLR output with select- able levels; buffered
uneffected XLR output to run a dry signal to a separate
channel; |
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The
Trademark 120 is a handsome, touring-sized combo
that incorporates our highly-acclaimed SansAmp™ technology.
It delivers a truckload of the industry's most desirable
tube amp sounds and provides sensitive controls with
a unique responsiveness to create your own trademark
sounds as well. |
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| Trademark
300 |
American
Woman |
Comp
Tortion |
| Originally
introduced in January 2002 with 200 watts, Tech 21
increased the power of its amp head to 300 watts before
commencing production. Accordingly, the name changes
to the Trademark 300. In response to the preferences
of the marketplace, the head now has a modern, industrial
look. |
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| Tech
21's American Woman overdrive pedal celebrates the
tone of one of the most recognized guitar solos in
the history of rock. It was developed at the suggestion
of Randy Bachman after purchasing Tech 21's SansAmp
PSA-1 pre-amp. He discovered it contained a preset
named in honor of the famed song co-written by Bachman-Cummings-Kale-Peterson
while in the Guess Who. |
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| The
CompTortion logically, and uniquely, combines two effects: compression
and distortion. No other single pedal offers this kind
of control over such a range of sounds --from totally
clean to light distortion to smooth overdrive, and
from zero compression to completely squashed. |
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