Shure's premier studio microphone with an exceptionally warm and articulate sound for critical studio vocal tracking. The KSM44/SL is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm condenser microphone with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs accommodates loud sound sources such as drums and guitar amplifiers.

• Dual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar ® diaphragms provide superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion; Minimizes harmonic and intermodulation distortions
• Full-range frequency response (20 Hz - 20 KHz) for an extremely accurate reproduction of voice and instruments
• Extremely low self noise (7 dBA) for critical studio vocal recording
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
• 15 dB attenuation switch for handling high input SPL sound sources
• 3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effect
• Durable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse
• Uniform polar response provides natural off-axis response for critical recording
• An integrated three-stage pop protection grille to guard against wind and breath noise
• An internal shock mount to reduce unwanted handling and stand noise

The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. Designed for studio use, but rugged enough for live applications. The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. Designed for studio use, but rugged enough for live applications, the KSM27 has an externally biased, 1-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

• Cardioid polar pattern - the most commonly used pattern for both studio and live applications
• 1 inch, externally biased, ultra-thin, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect
• Integrated three-stage 'pop" protection grille reduces plosives and other breath noise
• Internal shock mount reduces handling and stand noise

One of te world's greatest studio mics, the SM81. It provides precise detailed sound reproduction. Excellent for studio recording and is rugged enough for sound reinforcement. The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.

• 20 Hz to 20 kHz frequency response
• Flat response curve for accurate reproduction of sound sources
• Low noise and high output clipping level
• Low distortion over a wide range of load impedances
• Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
• Low RF susceptibility
• Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
• 0 dB/10 dB lockable attenuator switch
• Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
• Rugged steel construction for durability
• Field-usable over wide range of temperature and humidity conditions

Exceptional quality at a moderate price. The SM94 is perfect for recording instrument and choir pick up. The Model SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency response is free of either a "presence peak" or a low-frequency rolloff, making it a perfect choice for all types of musical instruments. The SM94 is equally at home in sound reinforcement systems or in sound studios and motion picture/ TV scoring stages. When used with the optional wind-screen, the SM94 can be used by vocalists and speech-makers who desire a wide, flat response with minimum coloration.

• A sensitive mic with a wide, flat response ideal for live amplified and acoustic instruments.
• Extremely well-suited for reproduction of stringed instruments, woodwinds and cymbals
• AA battery or phantom power
• Internal shock mount
• Wide dynamic range
• Smooth, flat frequency response
• Uniform Cardioid condenser
• Frequency response: 40 to 16,000 Hz

This single-point, stereo microphone is unique in its ability to capture realism and drama, and at the same time withstand rigorous production environments. The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.

• Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
• Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
• Mono compatibility ideal for broadcast applications
• 40 to 20,000 Hz frequency response
• Low noise and distortion
• Wide dynamic range
• Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
• Operates on phantom power or a 6V camera battery
• LED power indicator
• Internal shock mount for reduced stand vibration and handling noise
• Built-in "pop" screen
• Includes windscreen, swivel adapter, and Y-cable

This condenser mic is a top choice for instrument recording and sampling as well as for live acoustic instruments.

The 849 unidirectional microphone is an excellent choice.