The VLZ Pro versions include:
* XDR mic preamps with 60dB gain range, 130dB dynamic range, 192kHz bandwidth, 0.0007% THD
* Best RFI resistance of any compact SR mixer in the galaxy thanks to advanced DC-pulse transformers.
* New ultra-high-performance 2068 op amps for incredibly low noise and distortion
* Improved cooling for even greater thermal protection in hot environments.

The SR24•4-VLZ PRO has 20 mono mic/line channels with XDR mic preamps PLUS two special line level channel strips.

The SR-VLZ PRO Series mixers have six aux sends per channel, with the flexibility to handle multiple chores at once. Two of the aux sends are pre-fader, so you can use them for monitor sends during a live session. Two other aux sends are post-fader, which you would want for effects during studio tracking and mixdown. But get this: the final two aux sends are switchable to pre- or post-fader! So you can have 4 pre-fader aux sends, or 4 post-fader aux sends, whenever you need them.

The SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels plus two special line level channels.

The 8•Bus series was designed to eliminate the last barrier between you and audio creativity – the 32•8, 24•8 are capable of sound quality equal to or better than that of $100,000 consoles.

Specifications8•Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class – they set the standard for affordable 8-bus consoles.

Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8•Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.

The best way to sell yourself on the Mackie D8B Digital 8-Bus Mixer is to ask someone who owns one. From Grammy-winning producers and engineers like Walter Afanasieff , Don Was, and Ed Cherney, to artists like Crystal Method and Naughty By Nature, the D8B is the standard for powerful, easy-to-use digital mixing.

When you sit down at a Digital 8•Bus, you'll feel as well as hear a difference. It is as intuitive and easy to use as an analog console because the D8B is the only mid-sized digital console designed by large-console automation specialists.

In its base configuration, the DX8 includes 8-by-2 stereo or dual mono mixing from mic and/or line inputs, 2-band shelving equalization on each input, and 2-band sweepable EQ on each output. Output signal processing includes 1/3 octave graphic EQ, five-band parametric EQ, and compressors. All level settings are stored in on-board, nonvolatile memory and may be changed either by direct PC connection or from the front panel. All settings can be saved and recalled from 16 memory presets. The front panel can be locked out to prevent access by unauthorized persons.

The DX810 is a full-featured Matrix Mixer and processor that will change the way you specify, design and build installed sound systems. It delivers true 8 x10 mixing, 3-band swept EQ, gates and compressors on each input plus 1/3-octave graphic and 8-band parametric EQ, delays and crossovers on each input. All functions are individually programmable through an intuitive graphical user interface that offers unmatched usability and zero learning curve.

Add the new DX•10e expansion hardware/software kit to the Mackie DX8, and you have a whole rack full of problem-solving gear in a single 2 RU component.

The DX•10e delivers true 8x10 matrix mixing, 3-band swept EQ, gates and compressors on each input plus 1/3-octave graphic and 5-band parametric EQ, compressors, delays and crossovers on each output.

All functions are individually programmable through an intuitive graphic user interface that offers unmatched usability and zero learning curve.

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