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Guitar Effects X Series


DigiTech's new Metal Master can morph between various different amp distortion sounds for a whole new level of sound creativity. Now you don’t have to settle for a one-trick-pony distortion stompbox. It also has Spectral- contouring Equalization which gives you wider, stronger EQ control than ever before. And that’s not all! The Metal Master not only has a normal output, it also has a second output that has cabinet emulation so you can go direct to board.

  • Metal distortion morphing
  • Spectral-contouring EQ
  • Normal & CIT™ Cabinet Modeling outputs

DigiTech's new Multi Chorus is the first true multi-voice stompbox ever! With up to 16 voices that you can morph through by rotating the Voice knob! Now you can get chorusing so thick it flows like butter out of your speakers, in stereo or mono. It even has randomization that thickens the chorusing further as you add more voices. The Multi Chorus also has switchable cabinet emulation and stereo outputs.

  • Multi-voice chorus
  • Blend from 1 to 16 voice
  • Voice randomization
  • Stereo and switchable CIT™ Cabinet Modeling outputs


Each distortion stompbox features a huge range of different distortion types that can be morphed into different combinations as you rotate our exclusive Distortion Morph knob. This gives you a near unlimited supply of combinations. Now, you are no longer stuck with only one distortion type in a pedal.

But that’s not all. There are two outputs, one for normal signal out, and one that features advanced cabinet modeling for live and recording direct-to-board applications. And instead of the standard stompbox tone controls, we’ve even incorporated our innovative spectral-contouring EQ, which delivers a far greater tone range than other distortion stompboxes.

  • Rock distortion morphin
  • Spectral-contouring EQ
  • Normal & CIT™ Cabinet Modeling Outputs

Each distortion stompbox features a huge range of different distortion types that can be morphed into different combinations as you rotate our exclusive Distortion Morph knob. This gives you a near unlimited supply of combinations. Now, you are no longer stuck with only one distortion type in a pedal.

But that’s not all. There are two outputs, one for normal signal out, and one that features advanced cabinet modeling for live and recording direct-to-board applications. And instead of the standard stompbox tone controls, we’ve even incorporated our innovative spectral-contouring EQ, which delivers a far greater tone range than other distortion stompboxes.

  • Overdrive morphing
  • Spectral-contouring EQ
  • Normal & CIT™ Cabinet Modeling outputs



The Main Squeeze™ compressor/ sustainer pedal avoids those choppy compression release and sustain problems found on other pedals. It does this by incorporating studio-quality dbx® OverEasy™ compression technology that provides near-transparent compression, and delivers long, real-sounding sustain for your guitar. And you no longer have to grit your teeth hoping a ragged release doesn’t suddenly chop up the tail of a sustained note, or have to endure a compression that makes notes sound thin and lifeless. You even get an EQ control so you can perfectly tune your compressed sound, which is especially useful for guitar. Controls feature Level, Attack, EQ, and Sustain. Outputs feature Amp Out, Mixer Out.

  • dbx® compression technology
  • EQ optimization control
  • Normal & CIT™ Cabinet Modeling outputs

The Synth Wah™ envelope filter doesn’t cop out by giving you only one sound to work with and try to tweak. The DigiTech team has gone way beyond that with a full 7 different types of sounds to choose from, including envelope filters, synth tones, and filter sweep effects. This pedal gives you a ton of effect bang for the buck. Controls feature Sens, Control, Range, Type. Outputs feature Normal (Dry) and Effect.

  • 7 different Synth and Envelope Filter sounds
  • Adjustable filter and frequency cutoffs
  • Normal/Dry and Effect outputs


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The Turbo Flange™ delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Turbo Flange™ has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

  • 7 Different flange types
  • Triggering and step capability
  • Stereo outputs with switchable CIT™ Cabinet Modeling

The Hyper Phase™ delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase™ has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

  • 7 different phase types
  • Triggering and step capability
  • Stereo outputs with switchable CIT™ Cabinet Modeling



The DigiVerb™ pedal gives you an incredible selection of reverb types to choose from. These include a Spring reverb that sounds so real that you can almost hear it rattle inside the box. Different Plates that put excitement in your snare or vocals, and Rooms and Halls that breathe warm space and air into any instrument. Now you won’t be limited to trying to tweak a reverb to sound like something it’s not! Controls feature Level, EQ, Decay, and Type. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

  • 7 Different reverb types
  • Includes accurate spring tank emulation
  • Stereo outputs with switchable CIT™ Cabinet Modeling

The DigiDelay™ pedal gives you loads of delay time, with up to 4 seconds of delay available. This is more than is found in many studio-quality, rack-mounted delay processors. And that’s just the beginning! The DigiDelay™ also lets you select various delay types such as stereo ping pong and tape delay, and other phat delay sounds, plus tap tempo so you can set the delay time exactly to the beat (just hold, then tap the footswitch with your foot). Controls feature Level, Repeat, Time, and Mode. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

  • Up to 4 seconds of delay
  • 7 different delay types plus Tap Tempo
  • Stereo outputs with swictchable CIT™ Cabinet Modeling


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All prices represent a 3% cash discount & are subject to change without notice. All sales are FINAL
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