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Dig itech |
Bass
Effects |
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The
BP200 is a revolutionary Amp Modeling/Multi-effects
processor designed specifically for bass
guitar. Under the hood of the BP200 is
the powerful AudioDNA™
DSP processor, providing 16 bass amp and stompbox
models and a host of other effects (22 total)
for creating your own signature sound. The
built-in expression pedal can be assigned to
control your choice of parameters in real time.
Each effect includes up to 3 adjustable parameters
giving you the flexibility to create the exact
sound you are looking for. The 6 character
alpha-numeric display and 3 knob matrix based
user interface provide simple, straight forward
editing functions. The Rhythm Trainer is a
great tool for polishing up your timing with
your choice of different patterns, tempo, and
adjustable volume level. A chromatic tuner
lets you quickly check or tune your instrument
to one of 4 different tuning references.
The
BP200 comes ready to use with 40 great
Factory Presets, and includes 40 User
Presets for your own custom creations.
The rear panel features a single 1/4"
input, a 1/4" TRS stereo output, 1/8" stereo
headphone output and a 1/8" stereo
Jam-A-Long™
input. |
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By
combining the world’s most powerful
multi-modeling bass guitar processor with
a digital 8-track recorder, the BNX3 gives
you everything you need to perform, practice,
write and produce songs in a single unit.
The BNX3 bass workstation is the first
multi-track recorder that works like a
bass player thinks.
Experience
the first hand's-free multi-track recorder
that lets you focus on creating and recording
music instead of messing with mixers,
cables and patch bays. Record, playback,
auto-arm the next track, or delete tracks,
all without touching a knob.
Save tunes on SmartMedia™ and easily
import your tracks to a PC or Mac. Polish
them with Cakewalk®
Guitar Tracks™ and burn a CD with
Pyro™ (both included). Convert CD,
.MP3, .WMA files —
virtually anything that’s out there — to
.WAV files and move them into the BNX3
to jam along with.
Now
you don’t have to break your creative
vibe to capture those inspirational moments…because
you have the perfect songwriting sketch
pad at your feet all the time. Start with
a drum track, lay down a rhythm track and
then a bass solo – all without taking
your hands off the bass! Want to add a
vocal? No problem. The BNX3 offers a balanced
XLR input for capturing vocal and acoustic
performances too. |

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Meet
the newest member of our bass modeling
floor processor line–the new feature-packed
BP50. Our bass guitar-freak engineers built
the BP50 with the great tone and effects
you expect from DigiTech, including award-winning
amp and cabinet modeling plus an arsenal
of studio-quality effects designed specifically
for the bass.
The
BP50 uses our AudioDNA™ DSP chip
to ensure that both modeling and effects
are world-class. Plus, 24-bit A/D/A converters
ensure accurate tonal reproduction between
inputs and outputs. And when we weren’t
looking, our fanatical engineers even
snuck in a drum machine with 30 patterns,
adjustable tempo and an easy-to-use 13-LED-array
tuner. Then we made sure that the BP50’s
user interface was so simple a drummer
could operate it (well most drummers,
anyway).
If
you’ve drooled over our bigger BP
Series models but didn’t have that
much cash in your jeans, get on down to
your DigiTech dealer and score a BP50. |
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The
Bass Driver™ features three different
bass overdrive distortion pedal models
to select from. These can be morphed to
create new multi-model bass -overdrive
sounds.
- Level
-adjusts the overall effect level.
- Tone
- uses special Spectral -Contouring
equalization. This adjusts a broader
range of frequencies, which provides
greater tonal control than is found
in typical stompbox tone controls.
- Blend
- adjusts the mix of the dry signal
with the effected signal.
- Morph
- selects or morphs through 3 overdrive
models, including the TS9 Tube Screamer™,
the Rat™ and DigiTech’s
DigiFuzz™.
- Dual
Outputs. The Normal output is for connecting
directly to the input of your bass
amplifier. The Mixer output utilizes
CIT™ and is for connecting directly
to a mixing board or headphone preamp.
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The
Bass Squeeze™ is the result of collaboration
between DigiTech and dbx™ to create
the world’s finest bass compression
pedal. Utilizing award- winning dbx™ OverEasy™
technology, the Bass Squeeze™
delivers dual-band compression, creating the
best bass compressor found in any stompbox.
- Level
- controls the overall compression
level
- Crossover
- selects the frequency at which the
signal crosses over from the low band
to the high band control. The frequency
range runs from 100Hz to 3kHz
- Low
Band - adjusts the amount of low frequency
compression plus the output level
- Dual
Outputs. The Amp output is for connecting
directly to a bass amplifier. The Mixer
output, with CIT™ bass cabinet
emulation technology, is for connecting
directly to a mixing board or headphone
preamp
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The
Bass Multi Chorus™ is -designed specifically
for bass. What makes the Bass Multi Chorus™ different
is you can morph up to 16 bass chorus voices
at the same time to create the lushest
bass chorusing ever heard from a stompbox.
There is also built-in voice randomization
that increases as you add voices to thicken
the sound even further.
- Speed-varies
the rate that the chorus sweeps up
and down
- Depth
- controls the range or how wide the
chorus sweeps up and down
- Voice
- lets you morph from one up to sixteen
chorus voices. Voice randomization
is built-in and automatically increases
as you add voices
- Dual
Outputs. The Mono/Stereo outputs can
be switched between Normal and Mixer
output modes. Normal output mode is
for connecting directly to the input
of your bass amplifier. Mixer output
mode, with CIT™bass cabinet emulation
technology, is for connecting directly
to a mixing board or headphone preamp.
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The
Bass Synth Wah™ is simply the most
versatile bass envelope filter pedal on
the market, with seven different bass envelope
filter types to choose from. This delivers
more envelope filter effects than any other
bass envelope filter pedal available.
- Sens
- adjusts the trigger threshold of
the synth, filter and envelope effects.
- Control
- adjusts wet/dry mix, or synth or
filter attack.
- Range
- adjusts envelope range, cut-off frequency,
or frequency envelope.
- Type
- selects between seven different Bass
Synth Wah™ effect options, including
- Envelope,
Envelope Sub, Synth 1, Synth 2, Filter
1, Filter 2, and Octa Sub.
- Normal/Dry
and Effect outputs
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