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| 1074
Quad Gate |
| The
1074 offers 4 channels of gating with threshold,
depth and release controls on each channel. The
1074, like the rest of the products in dbx 10
Series, is based on the legendary dbx V2 VCA
and offers XLR inputs and outputs, and 1/4” side-chain
input. In addition to an external key input per
channel, the 1074 also has an internal filter
that can be independently activated and controlled
on a channel-per-channel basis. This filter allows
the 1074 to not only clean up tracks, but gives
you frequency selective control on each gate,
to open exactly when you want it to. These features
combined, make the 1074 an absolute must for
those who require quad gating on applications
including: Gating dry and percussive sounds such
as snare drum and kick drum,gating sounds that
have longer decay times such as cymbals and Pianos,
gating hum or buzz from live instruments or recorded
tracks or eliminating Headphone leakage into
microphones. |
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- Four
independent channels of gating
- Independent
key filtering
- Independent
Threshold and Release controls
- Differentially
balanced gold-plated XLR and 1/4"
inputs and outputs
- True
RMS level detection
- dbx®
proprietary precision metering
- Stereo
Coupling mode
- Switchable
+4dBu or -10dBv operation per channel
- Proudly
designed, manufactured and tested in the USA
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| 1046
Quad Compressor |
| The
1046 provides 4 channels of smooth classic dbx
OverEasy® or Hard Knee compression that are
perfectly suited for use on individual tracks
of your multitrack recorder, and in virtually
all applications the separate channels can be
individually interfaced and used for entirely
independent purposes. Additionally the newly
developed PeakStopPlus™ is ideal for protecting
your system from the oppressive peaks that can
take out valuable drivers in your sound reinforcement
rig or studio monitors. |
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- Four
independent channels of operation, stereo
linkable in two pairs
- PeakStopPlus™
limiting control for setting maximum allowable
level regardless of compressor settings
- Independent
Threshold and Release controls
- Switchable
OverEasy® or Hard Knee compression
- Classic
dbx® compression
- Differentially
balanced gold-plated XLR and 1/4"
inputs and outputs.
- True
RMS level detection
- Precision
metering of input level, output level, and
gain reduction
- Dual
True stereo or quad mono operation
- Switchable
+4dBu or -10dBV operation per channel
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| 1066
Dual Compressor Limiter Gate |
In
the studio, broadcast facility or on the road
with a P.A. system, the 1066 is designed for
perfectly simple operation. The 1066 allows
you to eliminate unwanted signals, flexibly
control overall signal gain and guard your
overall mix in dual mono or stereo operation.
At
the heart of the 1066 is our new dbx V2 VCA.
Developed especially for the 1066, 1046 and
other 10 series products to come, this revolutionary
VCA boasts superb dynamic range characteristics
while maintaining very low distortion and
almost immeasurable noise characteristics.
The bottom line is this: a new VCA working
in conjunction with world class design makes
the dbx 1066 perform better than compressors
selling for hundreds more. |
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- Selectable
auto (classic dbx®) or manual (variable
Attack and Release) compression
- Contour
switch removes unwanted low frequency information
from detector circuit
- Selectable
Overeasy® or Hard Knee compression modes
- PeakStopPlus™
limiting for setting maximum allowable level
with minimal distortion
- SC
Ext and SC Mon for setting up and monitoring
external devices for gating function
- True
differentially balanced gold-plated XLR and
1/4" inputs and outputs
- True
RMS level detection
- Precision
metering of input level, output level, and
gain reduction
- True
stereo or dual mono operation
- Switchable
+4dBu or -10dBV operation per channel
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| 160A
Compressor/Limiter |
| The
dbx®
160A is a legendary dbx® 160 family of compressor/limiters.
The same classic sound, easy set-up and no compromise
metering is now married to an improved signal path
and stronger chassis design. The result is industry
standard compressor/limiter which is digital-ready
and road tough. |
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- OverEasy® or
classic hard knee compression with dbx's® ultra-musical
program dependent attack and release times
- Compression
ratio variable from 1:1 through infinity :1
to negative compression
- Precision
dual RMS LED display monitors input or putput
and gain reduction over a wide range and calibrates
for different operating levels
- Over
60dB of gain reduction available
- Exclusive
Infinity+ compression allows negative compression
- Independent
balanced and unbalanced outputs can drive 600
loads to +24dBm simultaneously. New floating
balanced output stage drives any load
- Optional
output transformer capable
- Strappable
with another 160A for true RMS stereo summing
operation
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| 166XL
Compressor/Limiter/Gate |
Most
compressor/gates provide less than musical
compression, coupled with gating that swallows
transients—or closes early, cutting off
decay and reverb tails. The superb engineering
in the 166XL ensures that both its compression
and gating provide versatility and excellent
sonic performance in situations where other
compressor/gates typically produce undesirable
processing artifacts.
When
using the 166XL’s Attack and Release
controls, artists and engineers will find
that the center settings deliver classic
dbx compression, while the full control range
produces voicings that extend from slow “leveling”
to aggressive “peak” limiting.
The 166XL’s advanced gate circuitry uses
a completely new, program-dependent timing
algorithm to produce ultra-smooth release characteristics—even
with complex signals, such as voice or reverb
decays. dbx engineers went on to take advantage
of the wide dynamic range and high precision
of the dbx V2™ VCA to design in an extra-wide
threshold range and ensure top gating performance
for each application. |
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- Goof
proof operation to smooth uneven levels,
add sustain to guitars, fatten drums or tighten
up mixes
- New
gate timing algorithms ensure the smoothest
release characteristics
- Program-adaptive
expander/gates
- Great
sounding dynamics control for any type of program
material
- Separate
precision LED displays for gain reduction,
compression threshold and gate threshold allow
quick, accurate setup
- Stereo
or dual-mode operation
- Balanced
inputs and outputs on 1/4" TRS and XLR
- Side
Chain insert
- Classic
dbx® "Auto" mode
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| 266XL
Compressor/Gate |
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When
using the 266XL’s AutoDynamic™
Attack and Release controls, artists and engineers
will find that the center settings deliver classic
dbx compression, while the full control range produces
voicings that extend from slow “leveling”
to aggressive “peak” limiting.
- Goof
proof operation to smooth uneven levels,
add sustain to guitars, fatten drums or
tighten up mixes
- New
gate timing algorithms ensure the smoothest
release characteristics
- Program-adaptive
expander/gates
- Great
sounding dunamics control for any type
of program material
- Separate
precision LED displays for gain reduction,
compression threshold and gate threshold
allow quick, accurate setup
- Stereo
or dual-mode operation
- Balanced
inputs and outputs on 1/4" TRS and
XLR
- Side
Chain insert
- Classic
dbx® "Auto" mode
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| 223
Stereo 2-Way/Mono 3-Way Crossover |
| At
first glance, you'll notice the units are great
looking. As you turn the controls something else
becomes apparent; these units are extremely well
built. The controls exude great precision, and
the feel is a solid "click". Also,
when you open the box, you won't find the external
power supply that accompanies most processors
in this price range. That's because we know how
difficult external power supplies can be to work
with and even though it costs a little more we
put the high quality power supply right in the
unit. All the inputs and outputs are TRS differentially
balanced 1/4" jacks that are bolted down
to the chassis. This "nutting down" of
the jacks insures that even if someone stomps
on a cable plugged into the unit, it's not going
to tear up the circuit board inside. All dbx
crossovers all feature Linkwitz-Riley 24dB per
octave filters, the professional standard. |
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- TRS
differentially balanced ins and outs
- Mode
switch for stereo 2-way or mono 3-way operation
- Low
frequency summed (subwoofer) output
- x10
range switch on both channels
- 40Hz
high pass (low cut) filter both channels
- Phase
reverse switch on all outputs
- Individual
level controls on all outputs
- 24dB
per octave Linkwitz-Riley filters (the professional
standard)
- Stereo/Mono
status LEDs indicate the selected mode
- dbx®
2 year parts and labor as standard
- CSA
NRTL/C approved
- CE
compliant
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| 234
Stereo 2/3 Way, Mono 4-Way Crossover |
| At first glance you'll notice the
units are great looking, and as you turn the controls
something else becomes apparent; these units are
extremely well built. The controls exude great
precision, and the feel is a solid "click".
Also, when you open the box, you won't find the
external power supply that accompanies most processors
in this price range. That's because we know how
difficult external powersupplies can be to work
with and even though it costs a little more we
put the high quality power supply right in the
unit. All the inputs and outputs are TRS differentially
balanced 1/4"
jacks that are bolted down to the chassis. This "nutting
down" of the jacks insures that even if someone
steps on a cable plugged into the unit, it's not
going to tear up the circuit board inside. |
 |
- TRS
differentially balanced ins and outs
- Mode
switches for mono 4-way or stereo 2-way/3-way
operation
- Low
frequency summed (subwoofer) output
- x10
range switch on both channels
- 40Hz
high pass (low cut) filter both channels
- Phase
reverse switch on all outputs
- Individual
level controls on all band outputs
- 24dB
per octave Linkwitz-Riley filters (the professional
standard)
- Stereo/Mono
status LEDs indicate the selected mode
- dbx®
2 year parts and labor as standard
- CSA
NRTL/C approved
- CE
compliant
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| 223XL
Stereo 2-Way.Mono 3-Way Crossover |
| As
you turn the controls you will notice that these
units are extremely well built. The controls
exude great precision, and the feel is a solid “click”.
Also, when you open the box, you won’t
find the external power supply that accompanies
most processors in this price range. That’s
because we know how difficult external power
supplies can be to work with and even though
it costs a little more, we put the high quality
power supply right in the unit. All the inputs
and outputs are balanced XLRs that are screwed
directly to the chassis. This connection of the
jacks to the chassis insures that even if someone
stomps on a cable plugged into the unit, it’s
not going to tear up the circuit board inside. |
 |
- XLR
balanced ins and outs
- Mode
switch for stereo 2-way or mono 3-way operation
- Low
frequency summed (subwoofer) output
- x10
range switch on both channels
- 40Hz
high pass (low cut) filter both channels
- Phase
reverse switch on all outputs
- Individual
level controls on all outputs
- 24dB
per octave Linkwitz-Riley filters (the professional
standard)
- Stereo/Mono
status LEDs indicate the selected mode
- dbx®
2 year parts and labor as standard
- CSA
NRTL/C approved
- CE
compliant
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| 234XL
Stereo 2-Way Mono 3-Way Crossover |
| At
first glance you’ll notice the units are
great looking, and as you turn the controls something
else becomes apparent; these units are extremely
well built. The controls exude great precision,
and the feel is a solid “click”.
Also, when you open the box, you won’t
find the external power supply that accompanies
most processors in this price range. That’s
because we know how difficult external powersupplies
can be to work with and even though it costs
a little more we put the high quality power supply
right in the unit. All the inputs and outputs
are balanced XLR connectors that are screwed
directly to the chassis. Thisconnecting of the
jacks insures that even if someone steps on a
cable plugged into the unit, it’s not going
to tear up the circuit board inside. |
|
- XLR
differentially balanced ins and outs
- Mode
switches for mono 4-way or stereo 2-way/3-way
operation
- Low
frequency summed (subwoofer) output
- x10
range switch on both channels
- 40Hz
high pass (low cut) filter both channels
- Phase
reverse switch on all outputs
- Individual
level controls on all band outputs
- 24dB
per octave Linkwitz-Riley filters (the professional
standard)
- Stereo/Mono
status LEDs indicate the selected mode
- dbx®
2 year parts and labor as standard
- CSA
NRTL/C approved
- CE
compliant
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