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1074 Quad Gate
The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones.
  • Four independent channels of gating
  • Independent key filtering
  • Independent Threshold and Release controls
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • dbx® proprietary precision metering
  • Stereo Coupling mode
  • Switchable +4dBu or -10dBv operation per channel
  • Proudly designed, manufactured and tested in the USA
 
1046 Quad Compressor
The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
  • Four independent channels of operation, stereo linkable in two pairs
  • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
  • Independent Threshold and Release controls
  • Switchable OverEasy® or Hard Knee compression
  • Classic dbx® compression
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs.
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • Dual True stereo or quad mono operation
  • Switchable +4dBu or -10dBV operation per channel
 
1066 Dual Compressor Limiter Gate

In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation.

At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more.

  • Selectable auto (classic dbx®) or manual (variable Attack and Release) compression
  • Contour switch removes unwanted low frequency information from detector circuit
  • Selectable Overeasy® or Hard Knee compression modes
  • PeakStopPlus™ limiting for setting maximum allowable level with minimal distortion
  • SC Ext and SC Mon for setting up and monitoring external devices for gating function
  • True differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Precision metering of input level, output level, and gain reduction
  • True stereo or dual mono operation
  • Switchable +4dBu or -10dBV operation per channel
 
160A Compressor/Limiter
The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough.
  • OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times
  • Compression ratio variable from 1:1 through infinity :1 to negative compression
  • Precision dual RMS LED display monitors input or putput and gain reduction over a wide range and calibrates for different operating levels
  • Over 60dB of gain reduction available
  • Exclusive Infinity+ compression allows negative compression
  • Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load
  • Optional output transformer capable
  • Strappable with another 160A for true RMS stereo summing operation
 
166XL Compressor/Limiter/Gate

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 166XL’s Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.
The 166XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V2™ VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

  • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mode operation
  • Balanced inputs and outputs on 1/4" TRS and XLR
  • Side Chain insert
  • Classic dbx® "Auto" mode
 
266XL Compressor/Gate

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

  • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dunamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mode operation
  • Balanced inputs and outputs on 1/4" TRS and XLR
  • Side Chain insert
  • Classic dbx® "Auto" mode
 
223 Stereo 2-Way/Mono 3-Way Crossover
At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24dB per octave filters, the professional standard.
  • TRS differentially balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
 
234 Stereo 2/3 Way, Mono 4-Way Crossover
At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside.
  • TRS differentially balanced ins and outs
  • Mode switches for mono 4-way or stereo 2-way/3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all band outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
 
223XL Stereo 2-Way.Mono 3-Way Crossover
As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid “click”. Also, when you open the box, you won’t find the external power supply that accompanies most processors in this price range. That’s because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it’s not going to tear up the circuit board inside.
  • XLR balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
 
234XL Stereo 2-Way Mono 3-Way Crossover
At first glance you’ll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid “click”. Also, when you open the box, you won’t find the external power supply that accompanies most processors in this price range. That’s because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLR connectors that are screwed directly to the chassis. Thisconnecting of the jacks insures that even if someone steps on a cable plugged into the unit, it’s not going to tear up the circuit board inside.
  • XLR differentially balanced ins and outs
  • Mode switches for mono 4-way or stereo 2-way/3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all band outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant

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