Behringer's first digital console offers a feature set you won’t find in any other product in its class. In fact, you won’t find some of the DDX3216’s features in any compact digital console. Start with its 32 channels, 16 internal busses and 8 aux sends. Each channel features a fully parametric 4-band equalizer, sweepable high-pass filter, gate, compressor/limiter and phase inversion—all simultaneously operable. The first 16 channels additionally offer a delay function. 

Available Options: ADT 1616, TDF 1616, AES 808

Features

• 32 full-fledged channels/12 ULN (Ultra Low-Noise) mic preamps
• 16 busses, 8 aux sends, and comprehensive routing options
• Fully featured dynamic and snapshot automation
• 17 ultra-precise, low-noise 100mm motorized ALPS¬ faders
• Compressor/limiter plus gate, 4-band parametric EQ, sweepable high-pass and phase reverse on all
• 32 channels, additional delay on channels 1-16
• 4 simultaneously operable effects processors with dozens of first-class algorithms, accessible from all 32 channels
• Additional compressor/limiter (switchable pre/post) and EQ for stereo main mix
• 2 option slots, 3 power-packed options for unlimited connectivity (16-channel ADAT, 16-channel TDIF, 8-channel AES/EBU)
• Analog feel, intuitive user interface
  
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Since its introduction in 1999, the DX1000 has become a favorite among thousands of working DJ’s, remix artists and club installers around the globe. As the first DJ mixer produced by BEHRINGER, it sports extreme flexibility, an impressive feature set and uncompromising audio and build quality. Having proven itself time and time again and continuously gained popularity, it merits a place of honor in our line next to our new VMX series mixers.

Features

• 5 dual stereo input channels for 10 stereo sources
• Ultra-musical 3-band EQ with bypass and kill switch for the bass EQ
• Replaceable ultra-high quality VCA crossfader enduring 200,000 cycles
• Smooth 100-mm channel faders made by Panasonic, like those found on pro-level studio consoles
• 2 extremely high-grade mic channels with peak LED
• Talk-over function for automatic fade-outs of main signals depending on the mic signal
• PFL button with status LED on all channels
• Balance control for crossfading from main and PFL signals to headphones section
• Extremely flexible and clearly structured XY routing with status LED on each channel
• Unlimited creativity with main mute (-20 dB) and main boost buttons (+4 dB)
• Subbass output for separate subwoofer
• "Machine control" on all channels allows for starting external devices from the mixer
• 2 tape outputs with or without mic signal
• Super-robust construction with ultra-low noise ULN design
• Additional zone output for control of a second sound reinforcement area
• Manufactured under ISO9000 certified management system
  
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This is a mixer whose small size belies its incredible versatility and audio performance. You get 8 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre fader for monitoring applications and 1 post fader for external FX devices). There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing round off the list of high-quality features.

Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 4 new state-of-the-art, studio-grade IMP ‹InvisibleS¹ Mic Preamps with:
  - 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
  - Ultra-wide 60 dB gain range
  - Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
• 8 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortionÖbetter than 4560 op amps
• 2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for external FX devices
• Peak LEDs and mute/alt 3-4 function on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS¬ faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
  Extremely rugged steel construction ensures long life even under the most demanding conditions
  
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You get all the important elements right here in a 19” form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. The integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets includes reverb, delay, chorus, compressor, tube distortion and others as well as a 1 kHz test tone generator. There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing.

Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 4 new state-of-the-art, studio-grade IMP Invisible Mic Preamps with:
  • 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
  • Ultra-wide 60 dB gain range
  • Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets including reverb, delay, chorus, compressor, tube distortion, vinylizer and more plus 1 kHz test tone generator
• Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
• 8 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortionÖbetter than 4560 op amps
• 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Peak LEDs, mute/alt 3-4, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS¬ faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
  
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If you are looking for a capable compact mixer with a breathtaking 3D XPQ stereo surround effect and a 9-band stereo graphic EQ, this is your machine. Of course, you also get 14 balanced high-headroom line inputs, 6 INVISIBLE MIC PREAMPs (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels. 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing are also there for your convenience. You will also find the integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

Features

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 6 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
  130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Ultra-wide 60 dB gain range; Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets including reverb, delay, chorus, compressor, tube distortion, vinylizer, and more — plus 1 kHz test tone generator
• Breathtaking 3D stereo surround effect for more vitality and enhanced stereo image
• 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
• Inserts on each mono channel for flexible connection of outboard equipment
• 14 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps
• 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Peak LEDs, mute, main mix, and subgroup routing switches, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones, and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Long-wearing 60 mm logarithmic-taper ALPS¬ faders and sealed rotary controls
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response — plus lowest possible power consumption for energy saving
  
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This is the big cajuna of the whole UB Series. You get all the features you’d expect in an ultra high-quality compact mixer: 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels 13-16, 10 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps, and an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. There is also an integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

Features

• 10 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
• 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer¬ presets including reverb, delay, chorus, compressor, tube distortion, vinylizer, and more — plus 1 kHz test tone generator.
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels.
• Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment.
• 16 balanced high-headroom line inputs w/ dedicated gain controls on stereo channels 13-16.
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps.
• 2 headphones outputs
• 4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
• Peak LEDs, mute, main mix, and subgroup routing switches, solo and PFL functions on all channels
• 4 subgroups with separate outputs for added routing flexibility
• 4 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones, and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS¬ faders and sealed rotary controls
• BNC connector for standard gooseneck lamps
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
  
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It may be small, but the UB502 features the same state-of-the-art Invisible Mic Preamp (IMP) and the same Ultra low-noise (ULN) design for highest possible headroom as its larger brethren. Its one mono channel plus 2 stereo channels with a 2-band EQ on the mono channel make it ideal for use with fixed audio installations as well as keyboards, samplers and computer application. Hobby musicians and video makers will also find use for this ultra-compact mixer.

Features

• 1 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamp with:
• 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Effective, extremely musical 2-band EQ and peak LED on mono channel
• 5 balanced high-headroom line inputs
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps
• Main mix outputs plus separate headphones and stereo tape outputs
• Tape inputs assignable to main mix or phones outputs
• High-quality sealed rotary controls from ALPS for long-term reliability
  
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If you are looking for a capable compact mixer with a breathtaking 3D XPQ stereo surround effect and a 9-band stereo graphic EQ, this is your machine. Of course, you also get 14 balanced high-headroom line inputs, 6 INVISIBLE MIC PREAMPs (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels. 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing are also there for your convenience. You will also find the integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

Features

• 6 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with: 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets including reverb, delay, chorus, compressor, tube distortion, vinylizer, and more — plus 1 kHz test tone generator
• Breathtaking 3D stereo surround effect for more vitality and enhanced stereo image
• 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
• Inserts on each mono channel for flexible connection of outboard equipment
• 14 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps
• 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
• Peak LEDs, mute, main mix, and subgroup routing switches, solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones, and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
  
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A shade larger than the UB502, the UB802 features 2 INVISIBLE MIC PREAMPs (IMPs), 6 balanced high-headroom line inputs, 1 post fader FX send per channel for external FX devices and 1 stereo aux return for FX applications or as separate stereo input. There is also an effective, extremely musical 3-band EQ on all channels. The UB802 is well-suited for use with fixed audio and video installations as well as keyboards, samplers and computer application.

Features

• 2 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamp with: 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Effective, extremely musical 3-band EQ on all channels
• 6 balanced high-headroom line inputs
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps
• 1 post fader FX send per channel for external FX devices
• 1 stereo aux return for FX applications or as separate stereo input
• Peak LEDs on all mono channels
• Main mix outputs plus separate control room, headphones and stereo tape outputs
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• High-quality sealed rotary controls from ALPS¬ for long-term reliability
• External power supply for noise-free audio and superior transient response
  
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The PMX2000 gives you 6 mono channels with ULN mic/line preamps with peak LEDs, a -25 dB pad and switchable phantom power, the renowned super-musical 3-band EQ, an internal effects send, and a monitor send. In addition, you get 4 stereo channels: 3 with the same mic/line preamp, EQ, and sends but with left and right 1/4 in. connectors, and one especially configured for tape, CD, or MD players with stereo RCA inputs and recording outputs.

The PMX2000 comes with a built-in 2 x 250 Watt power amplifier and a flexible master section, including two 9-band graphic equalizers that can be assigned to left and right main mix or to main mix and monitor out, augmented by a switchable low-cut filter for channels 1-6. Both graphic EQs feature an in/out switch for quick comparisons or bypassing. Power amp inputs are available for connecting external mixers or sound sources, and there are 3 preamp outputs for added flexibility. A footswitch connector allows you to remotely bypass the effects section with a standard footswitch. The main and monitor sections each feature individual level controls, a 5-segment LED level meter and a master effects send level control. In addition, the integrated limiter offers effective protection against speaker overloads.

Last but not least, the PMX2000 sports a built-in effects unit based on Behringer's award-winning Virtualizer Pro and Modulizer Pro effects processors and giving you 99 great-sounding presets ranging from standard reverb and delay to more unusual algorithms like Vinylizer, Magic Pitch, Vocal Distortion, and Space Radio, plus a number of useful combinations. All of this is enclosed in a compact, rugged enclosure with tough vinyl covering with high-impact protective corners and a practical handle.

Features

• 14 Channel inputs; 6 Mono channels
• 4 Stereo channels; 9 invisible mic preamps
• 3-band EQ (all channels); 2 Aux sends (1 internal FX, 1 monitor)
• 2 x 250 watt power amp; 2 power amp inputs
• 3 preamp outputs (L/mono, R, monitor)
• 3 speaker outputs (L, R, mono bridged) Speakon
• 2-track input/output ; +48 V phantom power
  
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The PMX5000 is our top-of-the-line console-style powered mixer. This powerhouse features 20 channels (12 mono + 4 stereo), plus stereo tape returns, two 24-bit/46 kHz effects processors with 99 great-sounding VIRTUALIZER presets each, two monitor paths and extremely flexible I/O options. It’s jam-packed with everything you need for the most demanding sound reinforcement gigs like a 2 x 400-Watt (800 Watts bridged mode) COOLAUDIO amplifier to drive your FOH and/or monitor speakers.

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This 10-input, 2-bus mic/line mixer features 2 state-of-the-art INVISIBLE MIC PREAMPs (IMPs) and an effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels. There is 1 post fader FX send per channel for external FX devices, main mix outputs plus separate control room, headphones and stereo tape outputs. Tape inputs are assignable to main mix or control room/phones outputs. This is an extremely versatile mixer with possibilities ranging from connecting a DAT recorder and monitor speakers to running permanent video and audio installations.

Features

• Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
• 10 balanced high-headroom line inputs with +4/-10 level selection on all stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortionÖbetter than 4560 op amps
• 1 post fader FX send per channel for external FX devices
• Peak LEDs on all mono channels
• Main mix outputs plus separate control room, headphones and stereo tape outputs
• Tape inputs assignable to main mix or control room/phones outputs
• FX to control room function helps to monitor effects signal via headphones & control room outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS¬ master fader and sealed rotary controls
• External power supply for noise-free audio and superior transient response
  
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Its ultra low-noise ULN design assures the highest possible headroom and ultra-transparent audio. Dedicated balance and level controls plus +4/-10 level selection per channel and monitor/FX send control per section with global master send control allow for flexible monitoring, recording or effects applications. An illuminated double-function “mute” button per section with additional “clip” indication provides comfortable. We also use high-quality detented ALPS® rotary controls for long-term reliability, while a shielded toroidal power transformer guarantees lowest noise interference. The RX1602 is simply the perfect mixer when you need more inputs and crystal-clear audio performance—look no further!

Features

• Extremely flexible keyboard and multi-purpose sub-mixer, multi-track monitoring mixer, level translator, FX return sub-mixer etc.
• 16 balanced high-headroom line inputs for individual stereo or mono use of each section
• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• Dedicated balance and level controls plus +4/-10 level selection per channel
• Monitor/FX send control per section with global master send control for flexible monitoring, recording or effects applications
• Illuminated double-function “mute” button per section with additional “clip” indication provides comfortable input source/level information
• Monitor/FX signal assignable to phones output for added flexibility
• Highly accurate 2 x 7-digit LED level meters and individual level control for left and right main mix signal
• 1/4 in. TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
• High-quality detented ALPS® rotary controls for long-term reliability
• Shielded toroidal power transformer for lowest noise interference
• Extremely rugged construction ensures long life even under the most demanding conditions
  
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Our newest 12-input, 2-bus mic/line mixer boasts 4 state-of-the-art INVISIBLE MIC PREAMPs (IMPs) and an effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels. There is also 1 post fader FX send per channel for external FX devices, main mix outputs plus separate control room, headphones and stereo tape outputs. Tape inputs are assignable to main mix or control room/phones outputs. Like the smaller UB1002, the UB1202 is an extremely versatile mixer with possibilities ranging from connecting a DAT recorder and monitor speakers to running permanent video and audio installations.

Features

• 4 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with: 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Ultra-wide 60 dB gain range
• Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
• Effective, extremely musical 3-band EQ plus switchable low-cut filter on all mono channels
• 12 balanced high-headroom line inputs with +4/-10 level selection on all stereo channels
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion — better than 4560 op amps
• 1 post fader FX send per channel for external FX devices
• Peak LEDs on all mono channels
• Main mix outputs plus separate control room, headphones, and stereo tape outputs
• Tape inputs assignable to main mix or control room/phones outputs
• FX to control room function helps to monitor effect signal via headphones and control room outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS¬ master fader and sealed rotary controls
• External power supply for noise-free audio and superior transient response
  
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The MX602A takes compact mixing a step further, offering audio quality and flexibility you’d never expect in such a small package. With two mono mic/line and two stereo channels, all with great-sounding 3-band EQ’s, a 2-track input and output, phantom power, phones output, balanced inputs and true main mix and control room outputs, it’s equipped to handle the most demanding of situations where few inputs are required.

Features

• 2 Mono Input Channels with gold plated XLR and Line Inputs
• Ultra-low noise dicrete Mic Preamps with +48 V Phantom Power
• 2 Stereo input Channels with balanced TRS Jacks
• Additional multifunctional Stereo Aux Return
• Extremely high headroom – offering a huge dynamic range
• Balanced Inputs for highest signal integrity
• Ultra-musical 3-band EQ on all channels
• Peak LEDs on all Mono Channels
• Aux Send for external effects and monitoring
• Separate Main Mix, Control Room and Headphone Outputs
• 2-Track Inputs assignable to Main Mix, Control Room / Headphone Outputs
• Highly accurate 4 segment Bargraph Meters
• High-quality sealed potentiometers
• Rugged design Power Supply ensures superior transient response
• State-of-the-art 4580 IC’s and highest quality components ensure crystal-clear audio performance and
  ultra-low noise performance
• Extremely rugged construction ensures long life even under the most demanding conditions
• Manufactured under ISO9000 certified management system
  
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Four mono mic/line channels with INVISIBLE MIC PREAMPS plus two stereo channels perfect for keyboards, MIDI equipment or other stereo sound sources and a 2-track input/output for recording and playback in a mixer small enough to carry in your board luggage: meet the MX802A. In spite of its size, you’ll find great 3-band equalizers in each channel plus switchable low-cut filters in the mono channels, two aux sends, two stereo returns, phantom power and accurate peak LED’s and level meters.

Features

• Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
• 2 Stereo Input Channels with balanced TRS Jacks
• 2 additional multifunctional Stereo Line Inputs
• Extremely high headroom – offering more dynamic range
• Balanced Inputs for highest signal integrity
• Ultra-musical 3-band EQ on all channels
• Peak LEDs and switchable low-Cut Filter on all Mono Channels
• 2 Aux Sends per channel for external effects and monitoring
• Separate Main Mix, Control Room and Headphone Outputs
• 2-Track Inputs assignable to Main Mix, Control Room / Headphone Outputs
• Highly accurate 12 segment Bargraph Meters
• High-quality sealed potentiometers
• Rugged design Power Supply ensures superior signal integrity
• State-of-the-art 4580 IC’s and high quality components ensure crystal-clear audio performance
  and excellent noise figures
• Rugged construction ensures long life even under the most demanding conditions
• Manufactured under ISO9000 certified managment system
  
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The MX1604 gives you four mono and four stereo channels plus an impressive set of professional features in a compact yet transparent package. Along with the same high-quality components and ULN circuitry asbehringer's large consoles, you get effective, musical 3-band EQ’s, an additional stereo bus, full-fledged PFL/solo-in-place, mute and routing functions, phantom power, two aux sends and two stereo returns, 2-track in/out plus balanced inputs and outputs.

Features

• Ultra-low noise 16-channel 4-Bus Mixer
• 4 mono input channels with gold plated XLRs
• Ultra-low noise discrete Mic Pre-amps with +48 V Phantom Power
• 4 stereo input channels
• 2 additional multi-functional stereo Aux Returns
• Extremely high headroom – offering more dynamic range
• Balanced inputs and Main outputs
• Ultra-musical 3-band EQ on all channels
• Peak LEDs and switchable Low Cut filter on all mono channels
• Pre and post fader Aux Sends for external effects and monitoring
• Master Aux Sends with gain control
• Mute / Alt 3-4, Solo-In-Place and Pre-Fader-Listen function on all channels
• Separate Main Mix, Control Room and Headphone outputs
• 2-Track inputs assignable to Main Mix or Control Room / Headphone outputs
• Highly accurate Bargraph Meters on output
• High quality 60 mm faders and sealed potentiometers
• Rugged design Power Supply ensures superior transient response
• State-of-the-art 4580 ICs and high quality components ensure crystal-clear Audio Performance and excellent noise figures
• 19" Rack Mounting kit included
• Extremely rugged construction ensures long life even under the most demanding conditions
• Manufactured under ISO9000 certified management system
  
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The compact MX1804X offers six mono channels with many of the same professional features as the MX3242X, including INVISIBLE MIC PREAMPS, inserts, 3-band EQ with sweepable mids and switch-able low-cut filter, plus four stereo channels with 4-band EQ. Additional features include two aux paths with stereo returns, an extra 2-channel bus (Alt 3-4) and inserts for main and Alt 3 - 4 busses. The built-in effects section sports a stereo input, allowing it to be used separately. The 7-band graphic EQ in the master sections enables quick overall sound correction.

Features

• 6 Mono Input Channels with gold plated XLRs, balanced Line Inputs and Inserts
• Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
• 4 Stereo Input Channels with balanced TRS Jacks
• 2 additional multi-functional Stereo Channels with 60 mm faders
• 24-bit Stereo Multi-Effects Processor with ultra-high resolution 24-bit AD/DA converters, for internal AND external use
• 32 original VIRTUALIZER Presets including 16 different Reverbs, Delays, Chorus, Flanger, Pitch Shifter, Speaker Simulation and various combinations
• Switchable 7-band Graphic Equalizer for ultimate Main Mix equalization
• ALT 3-4 bus routable to Main Mix and Control Room with Insert, PFL and 60 mm Masterfader
• Extremely high headroom – offering more dynamic range
• Balanced Inputs and Main Outputs for highest signal integrity
• Ultra-musical 4-band EQ (Stereo Channels) and 3-band EQ with sweepable mid band (Mono Channels)
• Peak LEDs and switchable Low-Cut Filter on all Mono Channels
• 2 Aux Sends (Aux 1 pre/post) per channel, for internal or external effects and monitoring
• Master Aux Sends with Gain Control and PFL
• Mute/ALT 3-4, Solo-In-Place and Pre-Fader-Listen function on all channels
• Separate Main Mix, ALT 3-4, Control Room and Headphone Outputs
• 2-Track Inputs assignable to Main Mix or Control Room/Headphone Outputs
• Highly accurate 12-segment Bargraph Meters
• High quality 60 mm faders and sealed potentiometers
• Rugged design Power Supply ensures superior transient response
• State-of-the-art 4580 ICs and high quality components ensure crystal-clear audio performance
• Extremely rugged construction ensures long life even under the most demanding conditions
• Manufactured under ISO9000 certified management system
  
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With a total of 20 line inputs plus a 2-track input, unusual flexibility and professional audio quality, the MX2004A has become a favorite for a wide variety of applications. All eight mono channels feature Behringer's invisible mic preamps, balanced line inputs and inserts. The four stereo channels have dual 1 /4 " connectors. All channels are equipped with first-class equalizers, high-quality faders, PFL/solo-in-place and mute functions.

Features

• 4 stereo input channels
• 2 additional multi-functional stereo Aux Returns
• Pre and post-fader Aux Sends for external effects and monitoring
• Master Aux Sends with gain control
• Extremely high headroom – offering more dynamic range
• Ultra-low noise discrete Mic pre-amps with +48 V Phantom Power
• Balanced inputs and Main outputs
• Peak LEDs and switchable Low Cut filter on all mono channels
• Ultra-musical 3-band EQ on all channels
• Mute / Alt 3-4, Solo-In-Place and Pre-Fader-Listen function on all channels
• Separate Main Mix, Control Room and Headphone outputs
• 2-Track inputs assignable to Main Mix or Control Room / Headphone outputs
• Highly accurate Bargraph Meters on output
• High quality faders and sealed potentiometers
• Rugged design power supply ensures superior transient response
• State-of-the-art 4580 ICs and high quality components ensure crystal-clear Audio Performance and excellent noise figures
• Rugged construction ensures long life even under the most demanding conditions
• Manufactured under ISO9000 certified management system
  
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Behringer's “classic” rack mixer offers eight mono channels with balanced ULN mic/line inputs, inserts, direct outs and 3-band EQ with sweepable mids plus low-cut and four stereo channels with 4-band EQ. All channels feature six aux sends, solo-in-place/PFL and mute functions with status LED’s and flexible routing options. Four additional, freely routable stereo inputs, four stereo aux returns and full-fledged subgroup/master sections with comprehensive monitoring and connection options round out this powerful mixing package.

Features

• Ultra-low noise 26 channel 4 bus mixer
• Extremely high headroom – offering more dynamic range
• 4 assignable subgroups for multitracking/mixing
• 8 mono input channels with insert points and direct outputs
• Ultra-low noise discrete mic preamps with +48 V phantom power
• 4 stereo input channels
• 4 additional multifunctional stereo line inputs with aux sends
• 6 aux sends, with aux 1 & 2 switchable pre/post fader
• Ultra-musical 4-band EQ on stereo channels
• Parametric midrange EQ and switchable Low-Cut filter on mono channels
• Balanced inputs and outputs
• Solo In Place and Pre Fader Listen function
• Separate mix and monitor/headphones outputs with insert points on mix outputs
• 2 Track inputs assignable to main mix or monitor /headphones outputs
• High quality 60 mm laser-trimmed faders and sealed potentiometers
• State-of-the-art 4580 ICs and high quality components ensure crystal-clear audio performance and excellent noise figures
• Moveable connector panel for table-top or rack mounting
• Rugged construction ensures long life even under the most demanding conditions
• Manufactured under the ISO9000 certified management system
  
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Behringer's largest “X-rack” sports 16 fully inline channels with invisible mic preamps and features rarely found in a rack-mountable mixer, like 100-mm faders and individual level meters. Six aux sends can be accessed from main channel and tape return path; two are pre/post switchable and four post-fader. The four stereo returns offer flexible routing options. The subgroup channels and main section are also fully outfitted, including talkback and independent metering. The built-in effects section delivers 32 algorithms in 24-bit quality to cover all of your basic effects needs.

Features

• Total inline channels: 16
• Subgroups: 4
• Mono inputs: 32
• Additional 2-track input: 1
• Microphone preamps: 16
• EQ (channel): 4-band High, Low, 2 x semi-parametric Mid
• Expander port: main mix, mix B, subgroups, aux sends
• FX processor with VIRTUALIZER presets
• Stereo aux returns: 4
• Direct outs: 16
• Channel inserts: 16
• Talkback mic: internal
• Phantom power: +48 V
• Dimensions: Height (front) 90mm (3-17/32 in.) (rear) 220mm (8-11/16 in.) x Width 439mm (17-9/32 in.) x Depth 565mm (22-Õ in.)
• Power supply (external): 150 watts


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The MX2442A features the same specs and functions as the MX3282A, but saves a lot of space when 20 channels (16 mono, 4 stereo), 4 subgroups and 6 aux sends will fill the bill. Two of its aux sends are pre/post switchable; the other four share two pots switchable in pairs and are fixed post-fader. Two stereo aux returns are supplied. Like its big brother, the MX2442A also comes with an external, rack-mountable power supply for enormous headroom and clean audio with a minimum of interference.

• Distortion: (THD & N) 0.007 %, @ +4 dBu, 1 kHz, bandwidth 80 kHz
• Frequency response: 20 Hz to 40 kHz, +/- 1 dB any input to any output
• 10 Hz to 120 kHz, +/- 3 dB
• External power supply: 150 Watts, 19" (482.6 mm), 2 rack units, approx. 7 kg
• Dimensions: Height 55, 105mm (2.17, 4.1") x Width 720mm (28.4") x Depth 500mm (19.7")
• Weight: approximately 12 kg (without PSU)


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Our popular MX3282A and MX2442A consoles offer the quality, reliability and flexibility you need to master numerous live sound or recording applications. All channels offer effective equalization plus full-fledged mute, solo and routing functions. Each bus has a separate output, a PFL function, and can be routed to the main mix. Both consoles offer a switchable solo function (PFL or solo-in-place), inserts for all mono channels, subgroups and main mix, balanced channel inputs and outputs and BNC lamp connectors. The MX3282A offers 28 channels (24 mono, 4 stereo) and 8 subgroups plus stereo main bus. A total of 8 aux sends and 4 stereo returns give you extreme flexibility.

• Distortion: (THD & N) 0.007 %, @ +4 dBu, 1 kHz, bandwidth 80 kHz
• Frequency response: 20 Hz to 40 kHz, +/- 1 dB any input to any output
• 10 Hz to 120 kHz, +/- 3 dB
• External power supply: 150 Watts, 19" (482.6 mm), 2 rack units, app. 7 kg
• Dimensions: Height 55, 105mm (2.17, 4.1") x Width 1050mm (41.3") x Depth 530mm (20.9")
• Weight: approximately 18 kg (without PSU)


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Behringer's compact signal distribution wizard has helped countless musicians and engineers solve diverse problems, whether as a splitter, line mixer or level conditioner. Regardless of your application, the MX882 keeps your signal paths short and clean. And its multiple matching amplifiers allow you to convert home-recording level to professional level and vice versa.

Features

• 8 in/2 out line mixer, 2 in/8 out line splitter
• Each channel can operate independently in mixer or splitter mode
• Usable as 6 in/6 out level matching amplifier or direct inject box
• Converts levels between -10 dBV and +4 dBu
• Extremely wide bandwidth from 5 Hz to 200 kHz for audio purity
• 6 mono in, 6 mono out, 2 main inputs and 2 outputs
• 4/8-segment input/output level meters for all channels


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Behringer's largest console features 24 fully inline channels, each with an extensive MIC/LINE and a MIX B/TAPE RETURN path. The MIC/LINE path offers balanced mic and line inputs, an INVISIBLE MIC PREAMP, pad, inserts and a 4-band EQ with two semi-parametric mid-frequency bands, 15 dB of boost/attenuation plus low-cut filter. 6 aux sends are available (pre/post switchable in pairs), plus a pan pot, solo and mute functions, full routing options and 100-mm faders.

Features

• Additional 24 input Mix-B channels, all with individual 2-band EQ, level, pan and mute
• Dedicated 4-band EQ with 2 semi-parametric mid bands offering an extremely wide swept range from 50†Hz to 20 kHz
• Up to 6 assignable aux sends buses, all switchable pre- / post-fader
• 6 stereo aux returns with multiple routing options
• 8 subgroups simultaneously feed 24 multitrack outputs
• Built-in meterbridge with meters for each channel, subgroup and main mix, monitoring eihter the channel or the tape return signal
• +15 dB gain available on all aux sends and returns
• Highest quality discrete balanced mic preamps with -20 dB pad, low-cut 100 Hz 12 dB/oct. and 48 V
  phantom power
• Balanced tape in / outs, switchable for -10 dBV or +4 dBu operation
• Channel, group and mix insert points
• 100 mm high-precision logarithmic, tapered faders, with big console performance
• Separate solo in place and PFL buses available
• 2 track tape monitoring with multiple routing options
• 2 separate headphone mixes and talkback facility with built-in microphone
• High-quality sealed rotary pot controls ensuring long lifetime and durability
• State-of-the-art op-amps and highest quality components for crystal clear audio performance
• BNC connectors for 12 V gooseneck lights
• Expander port providing universal 1/4" link facilities to any other console
• 400 Watts rugged external 19" power supply with superior transient response
• Manufactured under ISO9000 certified management system


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The MXB1002 gives you the option of AC or battery power in an extremely flexible mixer with the audio quality and features you expect from a Behringer console, opening the door to numerous additional applications. It features two mono, three stereo and a separate stereo tape return channel. All stereo channels have separate gain controls for mic and line inputs, allowing both inputs to be active. Each channel offers a 3-band EQ plus two aux sends; inserts are provided on the mono channels. Phantom power and balanced inputs and outputs round out this professional package.

• Channel inputs: 10
• Mono channels: 2
• Stereo channels: 3
• Stereo tape return channel: 1
• Invisible MIC Preamps: 5
• 2-track output: 1
• EQ (all channels): 3-band
• FX sends: 1
• Monitor sends: 1
• Channel inserts: 2
• Phantom power: +18 V (battery)/+23 V (AC) Optional AC or battery operation (with alkaline batteries)


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The BEHRINGER PRO MIXER DX500 is a multi-functional stereo DJ mixer designed to fulfill the highest demands on sound and master any situation. The raving success of your DJ performance is now guaranteed. This extremely creative instrument with three dual-input stereo channels offers optimal application flexibility for DJ systems, dance clubs and radio stations. The super-transparent, DJ-friendly user interface allows quick, exact and effective mixing of the most diversified tracks.

Features

• Internal 12 second digital sampler with loop function
• High class mic input with peak indicator
• high precision phono pre amps for bass power and crystal clean sound
• Ultra musical 3 band EQ with Kill switches for each band
• Ultra low noise design comparable to studio grade consoles
  Replaceable and ultra high quality crossfader
• Large punch buttons at the cross fader
• PFL switches with status LEDs on all channels
• A balance control allows you to blend between Main and PFL on the phones section
• External effect facility with send and return
• additional adjustable Zone output allows you to control the level of a monitor or secondary area
• Main outputs on professional balanced gold plated XLR and on RCA connectors for parallel recording
• High precision 12 digit LED VU meters
• High quality 60 mm channel faders as found in professional recording consoles
• Rugged external power supply ensures maximum signal integrity
• Top quality components ensure superb audio performance nad maximum endurance
• Super rugged construction ensures long life, even under the most demanding conditions


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