| |
|
|
Mixers |
|
 |
The
BEHRINGER PRO MIXER DX100 is a unique combination
of professionalism and creativity. This super-reliable "little
giant" has everything you need for a perfect
DJ performance. With its two dual-input stereo
channels it gives you optimal control over
your sound. |
|
DX
500 Pro |
| The
BEHRINGER PRO MIXER DX500 is a multi-functional
stereo DJ mixer designed to fulfill the highest
demands on sound and master any situation.
The raving success of your DJ performance is
now guaranteed. This extremely creative instrument
with three dual-input stereo channels offers
optimal application flexibility for DJ systems,
dance clubs and radio stations. |
 |
|
|
 |
Since
its introduction in 1999, the DX1000 has become
a favorite among thousands of working DJ’s,
remix artists and club installers around the
globe. As the first DJ mixer produced by BEHRINGER,
it sports extreme flexibility, an impressive
feature set and uncompromising audio and build
quality. Having proven itself time and time
again and continuously gained popularity, it
merits a place of honor in our line next to
our new VMX series mixers. |
|
DDX
3216 |
Behringer's
first digital console offers a feature set
you won’t find in any other product in
its class. In fact, you won’t find some
of the DDX3216’s features in any compact
digital console. Start with its 32 channels,
16 internal busses and 8 aux sends. Each channel
features a fully parametric 4-band equalizer,
sweepable high-pass filter, gate, compressor/limiter
and phase inversion—all simultaneously
operable. The first 16 channels additionally
offer a delay function.
Available Options: ADT 1616, TDF 1616, AES 808 |
 |
|
MX
602A |
 |
The
MX602A takes compact mixing a step further,
offering audio quality and flexibility you’d
never expect in such a small package. With
two mono mic/line and two stereo channels,
all with great-sounding 3-band EQ’s,
a 2-track input and output, phantom power,
phones output, balanced inputs and true main
mix and control room outputs, it’s equipped
to handle the most demanding of situations
where few inputs are required. |
|
MX
802A |
Four
mono mic/line channels with INVISIBLE MIC PREAMPS
plus two stereo channels perfect for keyboards,
MIDI equipment or other stereo sound sources
and a 2-track input/output for recording and
playback in a mixer small enough to carry in
your board luggage: meet the MX802A. In spite
of its size, you’ll find great 3-band
equalizers in each channel plus switchable
low-cut filters in the mono channels, two aux
sends, two stereo returns, phantom power and
accurate peak LED’s and level meters.
|
 |
|
MX
1604A |
 |
The
MX1604 gives you four mono and four stereo
channels plus an impressive set of professional
features in a compact yet transparent package.
Along with the same high-quality components
and ULN circuitry asbehringer's large consoles,
you get effective, musical 3-band EQ’s,
an additional stereo bus, full-fledged PFL/solo-in-place,
mute and routing functions, phantom power,
two aux sends and two stereo returns, 2-track
in/out plus balanced inputs and outputs. |
|
|
The
compact MX1804X offers six mono channels with
many of the same professional features as the
MX3242X, including INVISIBLE MIC PREAMPS, inserts,
3-band EQ with sweepable mids and switch-able
low-cut filter, plus four stereo channels with
4-band EQ. Additional features include two
aux paths with stereo returns, an extra 2-channel
bus (Alt 3-4) and inserts for main and Alt
3 - 4 busses. The built-in effects
section sports a stereo input, allowing it
to be used separately. The 7-band graphic EQ
in the master sections enables quick overall
sound correction.
|
 |
|
|
 |
With
a total of 20 line inputs plus a 2-track input,
unusual flexibility and professional audio
quality, the MX2004A has become a favorite
for a wide variety of applications. All eight
mono channels feature Behringer's invisible
mic preamps, balanced line inputs and inserts.
The four stereo channels have dual 1 /4 " connectors.
All channels are equipped with first-class
equalizers, high-quality faders, PFL/solo-in-place
and mute functions. |
|
MX
2642A |
Behringer's “classic” rack
mixer offers eight mono channels with balanced
ULN mic/line inputs, inserts, direct outs and
3-band EQ with sweepable mids plus low-cut
and four stereo channels with 4-band EQ. All
channels feature six aux sends, solo-in-place/PFL
and mute functions with status LED’s
and flexible routing options. Four additional,
freely routable stereo inputs, four stereo
aux returns and full-fledged subgroup/master
sections with comprehensive monitoring and
connection options round out this powerful
mixing package.
|
 |
|
MX
3242X |
 |
Behringer's
largest “X-rack” sports 16 fully
inline channels with invisible mic preamps
and features rarely found in a rack-mountable
mixer, like 100-mm faders and individual level
meters. Six aux sends can be accessed from
main channel and tape return path; two are
pre/post switchable and four post-fader. The
four stereo returns offer flexible routing
options. The subgroup channels and main section
are also fully outfitted, including talkback
and independent metering. The built-in effects
section delivers 32 algorithms in 24-bit quality
to cover all of your basic effects needs. |
|
MX
2442A |
| The
MX2442A features the same specs and functions
as the MX3282A, but saves a lot of space when
20 channels (16 mono, 4 stereo), 4 subgroups
and 6 aux sends will fill the bill. Two of
its aux sends are pre/post switchable; the
other four share two pots switchable in pairs
and are fixed post-fader. Two stereo aux returns
are supplied. Like its big brother, the MX2442A
also comes with an external, rack-mountable
power supply for enormous headroom and clean
audio with a minimum of interference. |
 |
|
MX
3282A |
 |
Our
popular MX3282A and MX2442A consoles offer
the quality, reliability and flexibility you
need to master numerous live sound or recording
applications. All channels offer effective
equalization plus full-fledged mute, solo and
routing functions. Each bus has a separate
output, a PFL function, and can be routed to
the main mix. Both consoles offer a switchable
solo function (PFL or solo-in-place), inserts
for all mono channels, subgroups and main mix,
balanced channel inputs and outputs and BNC
lamp connectors. The MX3282A offers 28 channels
(24 mono, 4 stereo) and 8 subgroups plus stereo
main bus. A total of 8 aux sends and 4 stereo
returns give you extreme flexibility. |
|
MX
9000 |
| Behringer's
largest console features 24 fully inline channels,
each with an extensive MIC/LINE and a MIX B/TAPE
RETURN path. The MIC/LINE path offers balanced
mic and line inputs, an INVISIBLE MIC PREAMP,
pad, inserts and a 4-band EQ with two semi-parametric
mid-frequency bands, 15 dB of boost/attenuation
plus low-cut filter. 6 aux sends are available
(pre/post switchable in pairs), plus a pan
pot, solo and mute functions, full routing
options and 100-mm faders. The MIX B/tape return
path features a dedicated 2-band shelving EQ,
pan and level controls, mute function and access
to aux sends 3 to 6 |
|
|
MXB
1002 |
 |
The
MXB1002 gives you the option of AC or battery
power in an extremely flexible mixer with the
audio quality and features you expect from
a Behringer console, opening the door to numerous
additional applications. It features two mono,
three stereo and a separate stereo tape return
channel. All stereo channels have separate
gain controls for mic and line inputs, allowing
both inputs to be active. Each channel offers
a 3-band EQ plus two aux sends; inserts are
provided on the mono channels. Phantom power
and balanced inputs and outputs round out this
professional package. |
|
|
| Our
top-of-the-line VMX gives you 3 dual-input
channels for connection of up to six stereo
sources. Channel 1 features a built-in ULN
mic preamp and an auto talkover function for
your mic; channels 2 and 3 are laid out for
phono and line-level signals. Each channel
sports a gain control, an extremely musical
3-band EQ with an amazing 32 dB of maximum
attenuation, a PFL button with status LED and
an ULTRAGLIDE fader with a curve control switch,
allowing you to choose between soft, mid and
sharp fader curves. |
 |
|
|
 |
The
PMX2000 gives you six mono channels with ULN
mic/line preamps with -25 dB pads and peak
LEDs, switchable phantom power, our renowned
super-musical 3-band EQ, an effects and monitor
send. In addition, you get four stereo channels:
three with the same ULN mic/line preamp, EQ
and sends but with left and right 1 /4 " connectors,
and one especially configured for tape, CD
or MD players with stereo RCA inputs and recording
outputs. Also comes with more stuff.
[
back ] [
top ] |
|
|
|
|
|
